Discussion:
Mary Ann Moorman Never Moves Her Camera During Her Zapruder Film Appearance
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Willy Gingersnaps
2013-03-31 20:40:14 UTC
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This is one I've noticed for a while. We know that Mary Ann Moorman took her photo after the limo passed her, while a motorcycle cop was almost in front of her. This would work out to the end of her Zapruder film appearance as she disappears under the sprocket holes, but she never moves her camera as the limo passes by her. She keeps pointing at the same spot for 16 frames, where there is no limo when the head shot hits. My graphic here shows her in the clearest two frames.

Loading Image...

I don't know why they would fake this, but they must have had a reason.
Willy Gingersnaps
2013-04-01 05:07:21 UTC
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Mary Ann Moorman's legs also appear very strangely here, particularly her left leg, the bottom of which seems to be centered outside of her body. In the Muchmore film, which is from behind her, her legs look closer together. In frame 295, not pictured here, this leg becomes a large rectangle while nothing else in the frame behaves this way. Where her legs act funny just happens to be the area that the limo passes in front of, the top of the sun visor just following the line of the bottom of her coat. Perhaps, in order to fake the limo never stopping, they had to change the background and those changes produced these oddities.

https://lh6.googleusercontent.com/-uebhytJzkPA/UVidZ2LBZzI/AAAAAAAABI4/oXeNIgT1sO0/s600/Moorman298%26303.jpg
Post by Willy Gingersnaps
This is one I've noticed for a while. We know that Mary Ann Moorman took her photo after the limo passed her, while a motorcycle cop was almost in front of her. This would work out to the end of her Zapruder film appearance as she disappears under the sprocket holes, but she never moves her camera as the limo passes by her. She keeps pointing at the same spot for 16 frames, where there is no limo when the head shot hits. My graphic here shows her in the clearest two frames.
https://lh6.googleusercontent.com/-uebhytJzkPA/UVidZ2LBZzI/AAAAAAAABI4/oXeNIgT1sO0/s600/Moorman298%26303.jpg
I don't know why they would fake this, but they must have had a reason.
Willy Gingersnaps
2013-04-01 05:36:19 UTC
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Loading Image...

My graphic here shows some of the crazy behavior of Mary Ann's legs. Note the bizarre rectangle in 295 that is her left leg! If this was some kind of camera motion blur, it should have effected something else in the frame, but it's just this leg. In 296 this leg stretches even more, though that additional stretch does seem to be camera motion blur, since Jean Hill's legs also stretch more in 296. And note in 303 that this leg seems to be centered outside of her body. This leg behaves in a way which is independent of everything else, suggestive of it being faked. Another thing, in the Muchmore film, her legs look closer together, but as the head shot approaches, both Mary Ann's and Jean's coats expand markedly at the bottom, presumably blown bu a gust of wind. Of course, in the Muchmore, Mary Ann's legs do not blow in the wind, just her coat. But, in the Zapruder film here, her coat is frozen in that blown-open position and her right leg looks faked, in a Captain Morgan way, to explain this expanse of hem line.

https://lh5.googleusercontent.com/-dDxU_DEiPBg/UVkad-werGI/AAAAAAAABJY/TlQv_vrKyXM/s714/CrazyLegsMoorman.jpg
Post by Willy Gingersnaps
This is one I've noticed for a while. We know that Mary Ann Moorman took her photo after the limo passed her, while a motorcycle cop was almost in front of her. This would work out to the end of her Zapruder film appearance as she disappears under the sprocket holes, but she never moves her camera as the limo passes by her. She keeps pointing at the same spot for 16 frames, where there is no limo when the head shot hits. My graphic here shows her in the clearest two frames.
https://lh6.googleusercontent.com/-uebhytJzkPA/UVidZ2LBZzI/AAAAAAAABI4/oXeNIgT1sO0/s600/Moorman298%26303.jpg
I don't know why they would fake this, but they must have had a reason.
Willy Gingersnaps
2013-04-02 11:13:51 UTC
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I think what's going on here, is that the limo came to a full stop in front of Moorman, and that's why she holds her camera in the same position. Apparently, there is a missing Moorman photo. The one numbered 3 is her high school friend, the motorcycle cop, and the one numbered 5 is the famous one
Loading Image... . I know the witness testimony doesn't support this, but perhaps Moorman5, the famous one, is a composite of Moorman4 & Moorman5, made to give the impression that the famous shot came at the correct time according to the Zapruder film, instead of the actual time when the limo was stopped in front of Moorman.
Post by Willy Gingersnaps
https://lh5.googleusercontent.com/-dDxU_DEiPBg/UVkad-werGI/AAAAAAAABJY/TlQv_vrKyXM/s714/CrazyLegsMoorman.jpg
My graphic here shows some of the crazy behavior of Mary Ann's legs. Note the bizarre rectangle in 295 that is her left leg! If this was some kind of camera motion blur, it should have effected something else in the frame, but it's just this leg. In 296 this leg stretches even more, though that additional stretch does seem to be camera motion blur, since Jean Hill's legs also stretch more in 296. And note in 303 that this leg seems to be centered outside of her body. This leg behaves in a way which is independent of everything else, suggestive of it being faked. Another thing, in the Muchmore film, her legs look closer together, but as the head shot approaches, both Mary Ann's and Jean's coats expand markedly at the bottom, presumably blown bu a gust of wind. Of course, in the Muchmore, Mary Ann's legs do not blow in the wind, just her coat. But, in the Zapruder film here, her coat is frozen in that blown-open position and her right leg looks faked, in a Captain Morgan way, to explain this expanse of hem line.
https://lh5.googleusercontent.com/-dDxU_DEiPBg/UVkad-werGI/AAAAAAAABJY/TlQv_vrKyXM/s714/CrazyLegsMoorman.jpg
Post by Willy Gingersnaps
This is one I've noticed for a while. We know that Mary Ann Moorman took her photo after the limo passed her, while a motorcycle cop was almost in front of her. This would work out to the end of her Zapruder film appearance as she disappears under the sprocket holes, but she never moves her camera as the limo passes by her. She keeps pointing at the same spot for 16 frames, where there is no limo when the head shot hits. My graphic here shows her in the clearest two frames.
https://lh6.googleusercontent.com/-uebhytJzkPA/UVidZ2LBZzI/AAAAAAAABI4/oXeNIgT1sO0/s600/Moorman298%26303.jpg
I don't know why they would fake this, but they must have had a reason.
Willy Gingersnaps
2013-04-02 11:32:41 UTC
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The limo stops at frame 302, but the background keeps moving. This is why, in the background, Moorman's camera stays aimed at the same spot while the limo seems to move by.
Post by Willy Gingersnaps
I think what's going on here, is that the limo came to a full stop in front of Moorman, and that's why she holds her camera in the same position. Apparently, there is a missing Moorman photo. The one numbered 3 is her high school friend, the motorcycle cop, and the one numbered 5 is the famous one
http://www.jfkassassinationgallery.com/albums/userpics/10001/Moorman_Hill~1.jpg . I know the witness testimony doesn't support this, but perhaps Moorman5, the famous one, is a composite of Moorman4 & Moorman5, made to give the impression that the famous shot came at the correct time according to the Zapruder film, instead of the actual time when the limo was stopped in front of Moorman.
Post by Willy Gingersnaps
https://lh5.googleusercontent.com/-dDxU_DEiPBg/UVkad-werGI/AAAAAAAABJY/TlQv_vrKyXM/s714/CrazyLegsMoorman.jpg
My graphic here shows some of the crazy behavior of Mary Ann's legs. Note the bizarre rectangle in 295 that is her left leg! If this was some kind of camera motion blur, it should have effected something else in the frame, but it's just this leg. In 296 this leg stretches even more, though that additional stretch does seem to be camera motion blur, since Jean Hill's legs also stretch more in 296. And note in 303 that this leg seems to be centered outside of her body. This leg behaves in a way which is independent of everything else, suggestive of it being faked. Another thing, in the Muchmore film, her legs look closer together, but as the head shot approaches, both Mary Ann's and Jean's coats expand markedly at the bottom, presumably blown bu a gust of wind. Of course, in the Muchmore, Mary Ann's legs do not blow in the wind, just her coat. But, in the Zapruder film here, her coat is frozen in that blown-open position and her right leg looks faked, in a Captain Morgan way, to explain this expanse of hem line.
https://lh5.googleusercontent.com/-dDxU_DEiPBg/UVkad-werGI/AAAAAAAABJY/TlQv_vrKyXM/s714/CrazyLegsMoorman.jpg
Post by Willy Gingersnaps
This is one I've noticed for a while. We know that Mary Ann Moorman took her photo after the limo passed her, while a motorcycle cop was almost in front of her. This would work out to the end of her Zapruder film appearance as she disappears under the sprocket holes, but she never moves her camera as the limo passes by her. She keeps pointing at the same spot for 16 frames, where there is no limo when the head shot hits. My graphic here shows her in the clearest two frames.
https://lh6.googleusercontent.com/-uebhytJzkPA/UVidZ2LBZzI/AAAAAAAABI4/oXeNIgT1sO0/s600/Moorman298%26303.jpg
I don't know why they would fake this, but they must have had a reason.
Willy Gingersnaps
2013-04-02 13:26:52 UTC
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